• Facistol. Wood and mounted cprints. 2013 ongoing.
  • Woman With Sombrero, Installation view. Yvon Lambert, 2014.
  • My letter of September 16, Your letter of September 16. letter, iPad, Refectory Cross inspired by Luis Barragán, 2013
  • Installation View, Yvon Lambert Paris, 2014
  • Der Trog, Installation view, Art Basel Parcours, 2013.
  • Der Trog, Installation view, Art Basel Parcours, 2013.
  • Der Trog, Detail
  • El Bebedero at Las Arboledas by Armando Salas Portugal. Book, frame, 2013
  • Installation view, Art in General
  • Las Arboledos Junction. book, frame, 2013
  • The Shadows of the Eucalyptus Trees at El Bebedero, 16mm film, film container, 2013
  • Dearest Federica, 80 slides, audio. 2013
  • Side by Side They Looked into the Books as into a Double Mirror, Seeing Each Others Faces as well as Their Own, marked books, lamp, bedside table after Luis Barragán, 2013
  • Barragán Alphabet/ VitraFutura, Pencil on mylar, diptych, 2013.
  • Luis Barragán Alphabet/ VitraFutura, pencil on mylar, 2013

The Barragán Archives

The Barragán Archives is an extended, multimedia project examining of the legacy of Mexican architect and Pritzker Prize-winner Luis Barragán (1902–1988). Magid considers both Barragán's professional and personal archives, and how the intersections of his official and private selves reveal divergent and aligned interests, as well as those of the institutions that have become the archives' guardians.

Along with the vast majority of his architecture, Barragán's personal archive remains in Mexico while his professional archive, including the rights to the architect's name and work, were acquired in 1995 by Swiss furniture company Vitra, under the auspices of the newly founded Barragan Foundation. By developing long-term relationships with various personal, governmental, and corporate entities, Magid explores the intersection of the psychological with the judicial, national identity and repatriation, international property rights and copyright law, authorship and ownership. 

The project is ongoing and results in a series of objects, installations and performances. Exhibitions of the project exist as opportunities to push the narrative forward, and reflects —within the work— the legal parameters of the country in which they are shown.